Lavry Engineering Inc. is proud to announce the latest addition to its product line, the stereo LavryBlack AD10 A/D converter. Ideal for a wide range of recording and broadcast applications, the LavryBlack AD10 builds on founder Dan Lavry's reputation for extreme transparency with a number of innovative new features for highest-quality sound, flexibility and ease of use.

LavryBlack AD10 sees the introduction of Lavry Engineering's unique Digital Alias-Free Emulation™ modes. With this exclusive system, in addition to Clear mode users can select the input characteristic of Tube, Transformer or both (Complex). "The AD10 marks the first time a Lavry Engineering unit has offered this type of option," explains Dan Lavry, President of Lavry Engineering. "With AD10, the engineer can record using any of the 4 modes and achieve analog-like coloration or my trademark transparancy."

In addition to a myriad of functions, the LavryBlack AD10 is accessible via user-friendly interface controlled by a single toggle switch. This switch utilizes multiple displays for heightened efficiency within the compact ½ RU enclosure. Other highlights of the LavryBlack AD10 include:

Internal Crystal 44.1, 48, 88.2, & 96 kHz sampling rates

Ultra-stable internal and external clocking

Greater than 117dB Dynamic Range (unweighted), 120dB (weighted)

Less than .0009% THD+N (20HZ-20kHz)

External Word Clock or AES sync for 32-100kHz operation

24 bit AES/SPDIF and optical outputs

XLR professional level analog inputs (+4dBu)

¼" instrument line level analog inputs (-10dBV)

Accepts balanced or unbalanced analog signals

14 segment digital meters w/Peak Hold

Meter display gain setting in 1dB steps

Lavry Engineering introduces DA10, a new stand alone stereo digital to analog converter. The half rack unit can receive AES or SPDIF digital audio on XLR, RCA and optical link. The DA provides three Clock modes. The preferred modes are CrystalLock ™ and Narrow Lock modes, but the unit also offers a Wide lock mode based on an internal Sample rate conversion for listening at non standard sampling rates. The level of the analog outputs (balanced or unbalanced) is controlled by an up–down switch and a 2 digit display. The “potentiometer free” discrete analog attenuator provides up to 60dB very high precision volume control in 1 dB steps. A state of the art discrete headphone driver is capable of accommodating at ease even the lowest impedance headphones. The unit includes a polarity switch, and a Stereo-Mono switch, a feature aimed at mastering studios.