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Open box show room models of SSA1.1 and MPE1.1 all available at significant savings.
Call for pricing and details.
1-866-235-0953

Atlas Pro Audio
is the United States distributor for Buzz Audio.



Buzz Audio 500 Series Gear


The Potion

True Class A FET Compressor
In Stock!
Atlas Price $1055.00


The Tonic

True Class A 3 Band Equalizer
IN STOCK!
Atlas Price $855.00

The Elixir

True Class A Mic Preamp
In Stock!
Atlas Price $755.00


The Essence

Class A Side Opto Compressor
In Stock!
Atlas Price $1055.00



Buzz Audio Outboard Gear




Buzz Audio ARC Channel Strip
List Price..........$3750.00
Atlas Price......$2900.00
The ARC1.1 is a outboard channel strip combining a mic/line preamp, equaliser, compressor and limiter in one box. It has primarily been designed for recording and processing the human voice and sports a host of features that have been inspired by suggestions from audio professionals from around the globe. The ARC includes tried and trusted elements from other Buzz Audio products plus some new innovations specifically developed for this unit. Whilst aimed at vocal recording and processing, the ARC is a useful tool for all sorts of recording and mixing applications. With all the connection and routing options available, the ARC may be used as a seperate Mic Preamp, DI Box, Equaliser and Compressor/Limiter (optionally with sidechain EQ), all at the same time.



MA 2.2 Class A Stereo Mic preamp
List Price..........$2850.00
Atlas Price......$2200.00

MA2.2 TX - with Sowter Transformer Option
Atlas Price......$2525.00
The MA-2.2 provides ultra clean and very musical amplification of all microphone signals. It is considered by many to be an excellent choice for recording acoustic guitar and has been designed with this application in mind. The MA-2.2 is extremely musical in character and will deliver transperant reproduction of any acoustic source including voice, drums, percussion, piano and strings.

The MA-2.2's ultra low noise and noise spectra provides the best possible dynamic range for digital recordings. With a slew rate of 140V/uS, we believe the MA-2.2 to be an excellent choice for recording all types of acoustic music where distortionless reproduction of transients is critical. Users can expect a clean, uncluttered midrange coupled with superb treble clarity and extended bass response. The MA-2.2 sounds great with all microphone types, and reveals the true acoustic source. The MA-2.2 is a development of the original MA-2 first produced in 1993, with the circuit remaining essentially unchanged. Nothing is overlooked in the design of this piece.





MPE1.1 Mono Parametric EQ
List Price..........$1500.00
Atlas Price......$1200.00
If you record music or voice on a Digital Audio Workstation, you are no doubt aware of the limitations of many DSP plug-in equalizers - they just don't sound right. So rather than spend money on expensive software for somewhat better performance, one could consider the use of an out board analog equalizer - and that's exactly where the new MPE Parametric EQ from Buzz Audio fits into your studio!

The MPE-1.1 is a professional quality audio equalizer featuring a High Pass Filter, High & Low Shelving bands and two Parametric Mid bands. Individual bypass switches allows the user to remove unused sections from the signal path and an Input Gain control completes the package.
MPE 1.1 w/Sowter Input
Switchable Input Transformer!
List Price..........$1750.00
Atlas Price......$1395.00




SSA 1.1 Stereo Mic preamp
List Price..........$1900.00
Atlas Price......$1500.00
When it comes to recording drums, we all know that the mic preamplifier used can have a major affect on the resulting sound. As well as being a good all round "clean" style preamp, the SSA-1.1 has been designed to provide budget users a tight and powerful drum sound - an excellent choice for kick and snare - and equally at home on drum overhead micing applications.

The SSA-1.1 is a NEW stereo microphone and instrument preamplifier from the Buzz Audio stable. The careful integration of Class A discrete and monolithic circuitry in the SSA delivers a vibrant high definition signal path. Users can expect excellent top end clarity and tight bass punch at a very affordable price.

SSA1.1 with Sowter 2 channel transformer output option
Atlas Price......$1825.00



SOC 1.1 Stereo Opto Compressor
List Price..........$2700.00
Atlas Price.....$2100.00
It is generally well known that optical compressors are an excellent choice for compression on low frequency sounds, and the SOC-1.1 is a great example. This piece is an excellent choice for tracking bass guitar, but will also find application on vocals and other general compression tasks.

A common problem with older opto compressor designs (and many modern ones!) is the inherent slow attack time of the LDR elements, which can cause sibilance problems and audible "pumping" effects. A special "speed up" circuit within the side chain section of the SOC-1.1 effectively reduces the attack time to less than 1mS (in fast attack mode). We believe this is the fastest attack time of any LDR based compressor on the market today and makes it suitable for stereo mixdown (2 buss) compression tasks.

All the features available on the SOC-1.1 allows users to create many different flavours of compression, from full on squash to just gentle levelling. A very useful piece of kit destined to become a classic.





The A-Rack 8+1 Modular Recording System and The MA-1.5 Modular Preamps
A Rack
List Price $2600.00
Call


MA 1.5 Modules
List Price $935.00
Call
A-Rack Fully Loaded with 8xMA1.5
List Price $10,080.00
Call
The first module available for the A-RACK 8+1 is the MA-1.5 True Class A Microphone Amplifier. All circuitry is real Class A discrete transistor using the Buzz Audio BE40 module. There are no transformers in the signal path, high quality film coupling capacitors are used for DC isolation. The circuitry is very similar to the MA-2.2 with the addition of the Solo feature and a Direct Drive Balanced Output circuit (the DDBO).

There are two main advantages to the DDBO over conventional "transformer acting" electronic balanced outputs. The first is near perfect common mode performance on balanced lines ensuring accurate audio signal transmission over long cables as may be found in remote live recording situations. The second advantage is an increase of output headroom by 6dB allowing the MA-1.5 to deliver a staggering +32dBu before the onset of clipping. The only disadvantage of the DDBO is that when driving an unbalanced load, one of the output amplifiers will be shorted to ground, which is not desirable. To enable the MA-1.5 to work with unbalanced loads, the MODE switch converts the output to a pin 2 hot unbalanced output, which also results in 6dB less gain.

The MA-1.5 provides real "straight wire with gain" performance in a modular format, and modules can be purchased as budget permits, perfect for all multi channel recording situations.



MIA-1.0

List Price..........$485.00
Atlas Price.....$375.00
The MIA-1.0 Musical Instrument Adaptor (traditionally called a Direct Box) was initially designed to compliment the MA-2.2 Microphone Amplifier, converting unbalanced instrument inputs into a balanced mic level signals. This is achieved with a simple FET input, balanced output Buffer amplifier. There are no transformers in the audio path, ground isolation is achieved by the use of a transformer in the hi-frequency power supply that converts the phantom power to the nominal 12V operating voltage. Very nifty !!

The MIA-1.0 can of course be used with any mic preamp equipped with +48V phantom power (8mA). Users can expect smoother bass performance and excellent treble reproduction without the phase shift anomalies inherent in standard transformer coupled designs.




Atlas Pro Audio

Toll Free 866.235.0953 • Central Florida 813.746.4058 • Fax 813.746.4059


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Unauthorized reproduction is prohibited by law, subject to criminal prosecution.