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  • ARC-1.1 
advanced recording channel strip

Buzz Audio ARC1.1 Channel Strip

$2,450.00
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ARC11
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Product Description

 

ARC-1.1 
advanced recording channel strip

design features

Imagine a analog recording channel with eq and compression that can be used as a channel strip, or as completely separate elements...

versatile investment

Quite simply, there is no other channel strip on the planet that has the versatility of the ARC-1.1. What you have here is a mic/line preamp, parametric equaliser and compressor/limiter that can be used in conjuction as a recording channel or, accessed as completely separate elements. The ARC is not just one piece of kit but multiple pieces bundled into one chassis with a clever relay routing system so you can assign each element to the main signal path or to externally accessed I/O.

audio path strengths

The signal path of the ARC utilizes high end audio opamps from Analog Devices which have been selected for their wide frequency response and naturally warm sound. These devices are also used in our SOC-1.1 compressor, which has been likened by many to sound like a tube unit. The mic preamp input uses our BE40 True Class A amplifiers to provide impressively low noise at high gains. The output section of the ARC includes a switchable steel core transformer that adds a more vintage sound if so desired.

creative control

The extensive equalizer section includes a variable high pass filter, two parametic mid bands covering the full audio spectrum and bass/treble shelving bands. The compressor is a clone of our famous SOC-1.1 opto design and attached to that is a very fast FET limiter. Even more powerful, each band of the eq can be assigned to the side chain of the compressor for frequency dependant effects. Read the controls and functions section below to find out more about the creative versatility of the ARC-1.1.

 

controls and functions

input

vocal mic preampFirst up is the all important mic preamp. The ARC utilises the Buzz Audio BE40 True Class A high speed amplifiers developed for the MA-2.2 mic preamp. The BE40 amplifiers ensure accurate transient detail reproduction and very good noise performance. Another feature is the padless input circuit with a +15dB gain boost switch instead, providing a total mic gain range of +9 to +65dB. The mic load control adjusts the mic input impedance from 200 ohm thru to 5k ohms. This control provides another means of varying the tonal quality of the connected microphone. The 48V phantom power switch features a soft start circuit to avoid thumps and bangs. A direct output of the mic preamp stage is available on the rear panel allowing use of the mic pre section whilst using the ARC in line mode.

Next up is the line input stage which is either the rear panel balanced XLR input (with loop thru) or front panel unbalanced high impedance input. The line gain is variable from 0dB to +40dB. In addition, a -10dB pad can be switched into the balanced input to cater for those hot signals from D-A convertors. In addition to attenuating the input, the -10dB switch raises the input impedance from a nominal 20k ohms to 70k ohms which allows the driving device to freely deliver high level without undue distortion.

 

output

bass mic preampHere's where you select the mic or line input to feed the main output of the ARC. The output gain control provides +10dB of additional gain as well as acting as a fader. This control can be useful for setting the correct level into -10dBv devices such as computer sound cards. Also available here is a polarity reverse switch with mute in the centre position. Another switch selects normal output or side chain monitor, which allows you to hear what is being fed into the sidechain of the compressor section and therefore any EQ being applied.

Next up is the clean/tranny switch. In clean mode, the audio path is direct. In tranny mode, a steel transformer is switched into the signal path introducing low frequency harmonics and providing yet another tonal variation to the signal. The high pass filter (part of the equaliser section) features variable filtering of low frequency signals from 25Hz up to 450Hz. The filter has a musical 12dB/oct slope and can be switched into the main signal path (IN), or into the sidechain (S/C) of the Opto Compressor, or when selected to EXT, the filter is available externally via the rear EQ in/out XLR's.

 

equaliser

audio parametric equalizerThe four band parametric EQ features high and low shelving sections. The low shelf features two selectable turnover frequencies and utilises a true inductor (choke) resulting in a very tight sounding bottom end control. The high shelf offers a broad or tight shelving curve. The tight curve allows you to boost or cut the very top end without much effect to the mid band. Each section can be individually switched in to the main path (IN) or into the sidechain (S/C) of the ARC Optical Compressor. When switched to EXT, the sections are available externally via the rear panel EQ in/out XLR's.

 

Following that are two mid band sweepable equaliser sections with adjustable bandwidth (sometimes referred to as "Q"). The BW control features a tight notch setting when fully counterclockwise. The frequency range of mid band 1 is 30Hz to 700Hz or 300Hz to 7kHz when the x10 switch is engaged. Mid band 2 sweeps from 160Hz to 3.4kHz or 1600Hz to 34kHz when x10 is selected. Once again, each midband is selectable into the main path, the sidechain of the compressor of into the external EQ path. Very VERY handy!

 

 

compressor limiter

bass compressorIncorporated into the ARC is a single channel version of the Buzz Audio SOC1.1 Stereo Optical Compressor and a FET Peak Limiter. The limiter/compressor combination can be set before (PRE) or after (PST) the equaliser section or out of the main path altogether (EXT). When selected to EXT, the Compressor is available for independant operation via the rear panel Comp in/out balanced XLR's.

The comp drive control varies the amount of compression, similar to a threshold control on other compressors. Comp ratio is switched 2:1, 5:1, 10:1 or 20:1 but all ratio's feature a soft knee characteristic. Compr release time is selectable from 100 milli-seconds to 1.6 seconds and also includes an auto position which is program dependant. Three attack time settings are available, with fast being very fast for an optical type compressor. Finally, a link switch allows linking to another ARC for stereo operation. Compressor gain reduction is displayed with a 12 element bargraph display.

The fast attack peak limiter utilises a FET (field effect transistor) for the gain reduction element and the release time can be selected fast, medium or slow. The Limiter can be independantly switched into the ARC main signal path (Post EQ) or accessed via the rear Comp In/Out XLR's. It is always Post the compressor when used in combination. Although primarily designed to catch peak levels that would otherwise cause "overs" on digital recorders, the peak limiter can be used for some very heavy compression effects. Limiter action is displayed with a single LED.

The combination of the Opto Compressor with EQ-able sidechain and the output Peak Limiter give the ARC a very powerful dynamics package indeed. The peak limiter (always post the Opto compressor) has the ability to catch transients missed by the slower opto action thereby providing a near zero attack time compressor system.

 

other stuff

recording channel stripLast but not least is the meter select switch which displays on the 12 segment bargraph the input level (ie post the mic/line gain stages), or output level (what is leaving the ARC main output). The meter can also be switched off. The over led is driven by a circuit that monitors audio level at critical points within the ARC-1.1 signal path and will light when levels exceed +20dBu. Finally a power on/off switch completes the picture.

 

Warranty Information

standard product warranty

Buzz Audio guarantees the Product to be free of defective materials and/or workmanship for a period of 1 year (12 months) from the date of sale, and will replace defective parts and repair malfunctioning Products under this warranty when the defect occurs under normal installation and use - provided the unit is returned to our factory (or duly authorised service centre) via prepaid transportation with a copy of the proof of purchase, ie, sales receipt. This warranty provides that examination of the returned Product must indicate, in our judgement, a manufacturing defect. This warranty does not extend to any Product that has been subjected to misuse, neglect, accident, improper installation, or where the date code has been removed or defaced. The standard warranty is not transferable to a new owner should the Product change hands during the 1 year period.

product warranty extension

The Standard Product Warranty may be extended to a period of 2 years (24 months) from date of sale provided the Product is registered with us within 4 weeks (28 days) from the purchase date. The extended warranty is transferable to a new owner should the product change hands within the 2 year period.

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buzz audio  channel strip  comp  DI  eq  Limiter  Preamp  

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